Marsix (Liu Jialiang)

Marsix works with sound like water, moving through tension, intuition, and layered waves of memory.

Born into a musical family and trained in traditional Chinese instruments from an early age, he approaches the pipa not as a symbol of identity, but as a conduit for sensation.

Having studied composition, and working across piano, pipa, and turntablism, he moves freely between sonic techniques and languages.
He follows intuition, not genre.

Marsix doesn’t just play sound, he creates soundscapes, immersive environments built between stillness and motion, presence and absence.
He moves fluidly between East and West, acoustic and electronic, improvisation and silence.
Each performance is a sensory ritual, instinctive and in motion.

His sound holds both a quiet magnetism and a rich spectrum of emotional and spatial energy.
Between tension and softness, resonance and restraint, every set expands in a different direction, always inviting repeated listening, never the same twice.

Each appearance asks a question:
How can sound embody the imaginary, reveal the real, and still leave behind a lingering resonance?

As part of A66, Marsix represents a new form of sonic practice, moving across time, language, and geography, without boundaries, without definitions.

In his sound, the world opens to infinite possibility.

Marsix 劉家良

他創造的聲音像水一樣流動，穿過張力、直覺與記憶的層層波紋。

出生於音樂世家，自幼學習東方傳統樂器，Marsix 使用琵琶，不是作為身份的符號，而是感官的導體。

他學習過作曲，無論是琵琶、鋼琴，還是以唱盤進行聲音演奏（turntablism），他在不同聲音技法與語言之間自由遊走。
他追隨的是直覺，而非風格的定義。

Marsix 不只是演奏聲音，他創造的是 聲音地景（soundscape），在靜與動、有與無之間，構築出讓人沉浸其中的聲音空間。
他自在穿梭於東與西、聲與電、即興與寂靜之間。

每一場演出都是一場感知儀式，流動而本能。

他的聲音既有安靜的吸引力，也擁有豐富的情感與空間能量層次。

在寧靜與張力、柔和與共鳴之間，他每一場演出都朝不同方向延展，讓人一聽再聽，卻從不重複。

每一次出現，都是一個提問：
聲音如何承載想像、顯露真實，卻仍留有餘韻？

作為 A66 的一員，Marsix 代表著一種新的聲音實踐方式，跨越時間、語言與地理的界限，不設邊界，不需歸類。

在他的聲音中，世界充滿了無限的可能。